DCP creation and conversion for cinemas and film festivals. DCI-compliant delivery, 2K/4K, stereo/5.1 audio, subtitles support. Request a quote from Ninja DCP.
If your team delivers DCPs regularly—festivals, studios, distributors, post houses—partner discounts for DCP can reduce per-project cost and make scheduling more predictable. The goal of a partner relationship is operational: repeatable delivery, faster quoting, cleaner version control, and consistent outcomes (cinema-ready DCPs that ingest and play reliably). Who partner discounts are built for Partner discounts … Ler mais
DCP for feature films demands consistency. With longer runtime, the cost of a mistake increases: one glitch becomes a real screening disruption, and version confusion can ruin delivery at the worst moment. DCP = Digital Cinema Package, the cinema standard for theatre playback. QC = Quality Control, the technical checks that protect reliability and prevent … Ler mais
DCP for short films is often assumed to be “easy” because the runtime is shorter. In practice, shorts still fail for the same reasons as features: subtitle readability, audio mapping, framing, and version control. DCP (Digital Cinema Package) is the cinema standard, designed for reliable playback on theatre servers. The goal is simple: a short … Ler mais
A 24-hour rush DCP is for one situation: the deadline is real, the screening is close, and failure is not an option. Rush is not “skipping steps.” Rush is priority scheduling and executing the essential technical steps quickly while still protecting playback reliability. DCP = Digital Cinema Package. It must ingest and run on cinema … Ler mais
If you’ve ever seen “DCP rejected” close to a deadline, you already know the pain: it’s rarely about creative quality—it’s technical. These DCP rejection reasons come up repeatedly in festival and cinema workflows, and most are preventable with clean inputs and proper QC. DCP = Digital Cinema Package. It must ingest and play reliably on … Ler mais
5.1 audio in DCP matters because cinemas are built for multichannel playback. If the goal is a true theatre experience—clear dialogue, stable levels, and proper spatial imaging—5.1 is the cinema-standard. A DCP (Digital Cinema Package) is designed to play on cinema servers with predictable channel mapping. Audio issues are one of the most common reasons … Ler mais
DCP with subtitles is one of the most common screening deliverables for festivals, distributors, and international showings. Subtitles that look “fine” on a laptop can become unreadable in a cinema: the screen is larger, viewing distance changes, and contrast varies scene to scene. Our team supports a clean workflow: provide a final .SRT, and the … Ler mais
If you’re asking about DCP cost, the important part is understanding what actually drives the quote. A DCP is not a simple export preset—DCP (Digital Cinema Package) is a cinema delivery package designed for reliable theatre playback. Pricing typically scales with runtime and optional requirements (rush deadlines, subtitles, audio delivery). The 4 factors that determine … Ler mais
DCP for film festivals is one of the most common delivery requirements—because festivals need predictable playback across different cinemas, servers, and tech teams. A festival deadline is unforgiving: if a package fails ingest or plays with audio/subtitle issues, it impacts programming. DCP means Digital Cinema Package: the cinema standard used to screen content reliably. A … Ler mais
Getting a video on a cinema screen is not the same as playing a file on a TV. Most cinemas (movie theaters) run professional projection servers designed for the digital cinema standard, which is why they typically request a DCP instead of MP4/MOV. DCP stands for Digital Cinema Package. It’s a cinema-ready package that includes … Ler mais